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Jack Joseph Puig

Contact: Clyne Media, Inc.
Tel: (615) 662-1616
Fax: (615) 662-1636



— Iconic Producer/Mixer works closely with Waves to create plug-ins that are destined to be the next generation of legacy audio products. Introducing the PuigChild 660 & 670, PuigTec EQP-1A and PuigTec MEQ-5 —

TEL AVIV, ISRAEL, July 7, 2008 — Following closely on last month’s introduction of Free downloadable Waves presets from multiple GRAMMY®-winning Producer/Mixer Jack Joseph Puig (JJP), the company has once again rocked the recording industry with a collection of plug-ins based on some of the most sought-after vintage pieces of gear in audio history. Waves introduces the Jack Joseph Puig Collection — the culmination of an ongoing Waves Research & Development project that has lasted over 3 years.

Connoisseurs of vintage recording equipment know that no two units of the same make and model sound exactly alike. Tubes, capacitors and other components (not to mention wear-and-tear over time) work together to give each piece its own unique personality. So when Waves decided to model the rarest of rare studio hardware (the Fairchild 670, the Pultec EQP-1A, and the Pultec MEQ-5), there was only one logical choice of whom they should work with to bring to market a pedigree collection of vintage processors: Jack Joseph Puig.

Legendary among audio aficionados for his extensive collection of exceptional, hand-picked vintage outboard gear, Puig not only shared his knowledge and expertise on these devices, but he also gave Waves exclusive access to model his most prized processors (which are acknowledged by leading artists and producers as the finest examples of these units). Working in Puig’s personal recording space, located at Los Angeles’ legendary Ocean Way Recording Studios, Waves’ R&D team painstakingly analyzed and modeled each processor’s every attribute, replicating its sound and behavior to the point where the software was virtually indistinguishable from hardware. Puig became an indispensable part of the development process, greatly assisting the Waves team by testing and fine tuning the software models of his hardware, as well as contributing an extensive library of his personal presets.

“As time goes by, there are fewer and fewer examples of these heirloom processors for artists, engineers or producers to have access to,” stated Jack Joseph Puig. “Not every studio or engineer has had the luxury that I have had to be in the same creative space as some of these magnificent pieces of equipment. The three vintage processors that Waves and I have modeled are reference standard pieces of what that particular processor is supposed to sound and feel like. Now, through the Waves Puig Collection, users around the world have the beautiful benefit of actually being able to use a piece of equipment that they might never have had the opportunity to work with. In a way, we are helping to preserve a piece of audio history.”

The PuigChild 660 & 670 Compressor/Limiter
Throughout the vinyl era, the original Fairchild stereo 670 compressor and its mono counterpart, the 660, were ubiquitous. From the recording studio to the record lathe, the Fairchild was renowned for its advanced compression techniques and incomparable sound. With the PuigChild 660 & 670 Compressor/Limiter, Waves has captured every distinctive nuance of Jack Joseph Puig’s Fairchild 670, along with every detail of its rich harmonic complexity. Key features include: Lateral Vertical Mode (MS Compression) for Optimal Stereo Imaging; Linked & Unlinked Modes; Digidesign Icon Support; Up to 24-bit 192 kHz Resolution; Mono and Stereo Components; TDM, RTAS, VST, AU support; PC and Mac Compatibility.

Key controls include: Input Gain -20 to 0; Threshold 0 to 10 (0.1 steps); Time Constant 1, 2, 3, 4, 5, 6; On/Off; Mains Off, 50Hz, 60Hz; Link Left/Right, Linked, Lateral/Vertical; Output -18dB to 18dB (0.1 steps).

The PuigTec EQP-1A Program Equalizer
The Pultec EQP-1A is renowned for its warm and round low frequency equalization and its beautiful high frequency boost; it also has the unique ability to boost and cut the same frequencies simultaneously, thereby creating a resonant shelf. Conceived and created for broadband equalization, the original EQP-1A features four low boost/cut frequencies, three high-cut frequencies and seven HF boost points, along with a bandwidth control for shaping the high boost curve. Waves’ PuigTec EQP-1A is a remarkable replication of Jack Joseph Puig’s original handcrafted unit, heard on dozens of popular recordings from artists including Weezer, The Black Crowes and Panic at the Disco.

Key features include: Unique resonant low shelf boost; Digidesign Icon support; Up to 24-bit, 96-kHz resolution; Mono and Stereo components; TDM, RTAS, VST, AU support; PC and Mac compatibility.

Key controls include: Low Band Boost 0 to 11 (18 dB boost, 0.1 steps); Low Band Attenuation 0 to 11 (18 dB cut, 0.1 steps); Low Band Frequency 20Hz, 30Hz, 60Hz, 100Hz; High Bell Boost 0 to 11 (18 dB boost, 0.1 steps); High Bell Bandwidth (Q) 0 to 11 (0=sharp 11=wide, 0.1 steps); High Bell Frequency 3kHz, 4kHz, 5kHz, 8kHz, 10kHz, 12kHz, 16kHz; High Shelf Attenuation 0 to 11 (18 dB cut, 0.1 steps); High Shelf Frequency (Atten Sel) 5kHz, 10kHz, 20kHz; In/Out; Output -18dB to 18dB (0.1 steps); Mains Off, 50 Hz, 60 Hz.

The PuigTec MEQ-5
The distinctive tonal characteristics of the MEQ-5 have made the original Pultec hardware a mainstay at high-end studios for decades. The midrange PuigTec MEQ-5 and the broadband PuigTec EQP-1A together constitute one of the best-known equalization chains in audio history.

Key features include: Digidesign Icon support; Up to 24-bit, 96-kHz resolution; Mono and Stereo components; TDM, RTAS, VST, AU support; PC and Mac compatibility.

Key controls include: Low Mid Frequency 200Hz, 300Hz, 500Hz, 700Hz, 1000Hz; Low Mid Peak 0 to 11 (10dB boost, 0.1 steps); Mid Frequency 200Hz, 300Hz, 500Hz, 700Hz,1000Hz, 1.5kHz, 2kHz, 3kHz,4kHz, 5kHz, 7kHz; Mid Dip 0 to 11 (10dB cut, 0.1 steps); High Mid Frequency 1.5kHz, 2kHz, 3kHz, 4kHz, 5kHz; High Mid Peak 0 to 11 (10dB boost 0.1 steps); In/Out; Output -18dB to 18dB (0.1 steps); Mains Off, 50 Hz, 60 Hz.

The JJP Collection is currently available separately as well as part of the Waves Mercury bundle. For more information on the Jack Joseph Puig Collection, please visit www.waves.com.

For the past 15 years, Waves has been at the helm of the digital audio revolution, creating the groundbreaking products that have changed the way people make music. In recording, mixing, mastering, broadcast, live sound, gaming and surround sound, Waves continues to set the benchmark for professional audio signal processing. Used in over 10,000 recording studios by more than 100,000 users worldwide, the Waves sound can be heard in major motion pictures, on popular video games, as well as on hit records selling well over 100,000,000 units.

About Jack Joseph Puig
Over the past three decades, JJP has helped redefine the role of the mixing engineer in contemporary music. And as a producer, he relies on vintage hardware and cutting edge software to create complex aural tapestries that capture and transcend the recording artists’ vision. He has worked with countless hitmakers, including Green Day, U2, Sheryl Crow, the Rolling Stones, Black Eyed Peas, John Mayer, Counting Crows, No Doubt, Mary J. Blige and many more.

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About Waves Ltd.:
Waves is a leading provider of audio DSP solutions for professional, broadcast, and consumer electronics audio markets. Waves has ten years of expertise in the development of psycho-acoustic signal processing algorithms that leverage knowledge on the human perception of hearing to radically improve perceived sound quality. Waves’ award-winning processors are utilized to improve sound quality in the creation of the world’s most popular music, movie soundtracks, and multimedia titles. Waves offers computer software solutions and hardware plus software solutions for the professional and broadcast markets. Waves also offers semiconductor with embedded software solutions under the Maxx brand for the consumer electronics audio applications. Waves’ Maxx technology dramatically enhances audio performance in consumer applications and has been licensed to several leading companies, including Motorola and Microsoft. For more information, visit the Waves web site at http://www.waves.com.

Other brand and product names may be trademarks of the respective companies with which they are associated.

Waves Contacts:
North America Offices:
Waves, Inc., 2800 Merchants Drive, Knoxville, TN 37912;
Tel: 865-909-9200, Fax: 865-909-9245, Email: info@waves.com, Web: http://www.waves.com

Corporate Headquarters Israel:
Waves Ltd., Azrieli Center, The Triangle Tower, 32nd Floor, 132 Derech Petach-Tikva,
Tel-Aviv 67027, Israel; Tel: 972-3-608-4000, Fax: 972-3-608-4056, Email: info@waves.com,
Web: http://www.waves.com

Waves Public Relations:
Clyne Media, Inc., 169-B Belle Forest Circle, Nashville, TN 37221;
Tel: 615-662-1616, Fax: 615-662-1636, Email: robert@clynemedia.com,
Web: https://clynemedia.com


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