PRESS RELEASE
Contact: Clyne Media, Inc.
Tel: (615) 662-1616
Fax: (615) 662-1636
FOR IMMEDIATE RELEASE
New Record Plant Remote “Ninety-Six Cubed”
Audio Production Suite Goes LightViper™
Annapolis Junction, MD, October, 2007 —
FiberPlex, Inc., announced that their LightViper™ audio transport
system was recently installed in the new Record Plant Remote audio production
vehicle. A total of 96 channels of fiber optic digital audio transport
are available. The first location assignment for the Ringwood, NJ-based
company’s new “truck” was in mid-town Manhattan for
the last broadcast of ABC Television’s Good Morning America summer
outdoor concerts in Bryant Park, NYC. Record Plant Remote production
vehicles have handled the ABC morning show’s May through August
live music performances since 2001.
In addition to the “plug n’ play” LightViper fiber
optic audio “snake” system, the production vehicle is equipped
with two Yamaha DM2000 digital consoles with 48 channels each. Both
consoles operate at 96kHz with all 96 inputs and there are also 96 channels
of Tascam X-48 hard disk recording available.
The new Record Plant Remote vehicle is the first of it’s kind
in that it is built as an audio production facility from within a luxurious
40-foot touring motor home, rather than the standard tractor/trailer
type “big rig.”
Kooster McAllister, Owner and Chief Audio Engineer for
Record Plant Remote, offered some insights into his decisions on equipping
the new audio vehicle:
“I’m thinking of calling the new truck ‘Ninety-Six
Cubed’ since it’s the only pro audio production facility
on wheels that features a full 96kHz on 96 digital inputs to 96 simultaneous
digital recording tracks.
For many of the large gigs and high-profile artists we handle, being
able to instantly set-up a huge number of inputs was also absolutely
critical. The LightViper fiber system gives me full control of the Yamaha
remote mic-pre’s right from the twin consoles in the vehicle’s
control room. This capability coupled to the console’s ability
to do full snapshot audio set-ups, is one of the main reasons I went
with the Yamaha/LightViper combo.”
McAllister, a winner of six TEC Awards for his live recording work,
continued:
“The audio gear choices were really ‘no-brainers’
for me. The highest sound quality I could get was the de facto decision.
That being said, the fact that set-ups and tear-downs now take, literally,
a fraction of the time that we used to spend on schlepping and repairing
old-school copper snakes runs a close second!”
...ends 387 words
Photos Attached (2): Suggested captions:
John “JC” Convertino, Chief Music Mixer for
ABC’s Good Morning America and Paul Special, Systems Engineer
for Record Plant Remote, seated in the new control room of the remote
recording company’s new audio production vehicle.
Kooster McAllister, Owner and Chief Audio Engineer for
Record Plant Remote, stands at the rear I/O access of the new recording
vehicle just outside the backstage area of NYC’s Bryant Park.
96 channels of digital audio enter and exit the vehicle on one thin
LightViper fiber optic cable.
Editor’s Technical Notes:
Fiberplex manufactures the LightViper fiber optic audio cable transport
systems. The LightViper systems offer total signal path isolation between
both stage and mixer as well as between the mixer and power amplification;
the cable is totally immune to ground loops, RFI, EMI and electromechanical
noise, and runs of up to 1 1/4 miles (6,600 feet) can be easily accomplished
without signal loss or degradation. FiberPlex includes a limited lifetime
warranty with all of its LightViper system components.
Additional information can be obtained at www.fiberplex.com
or www.lightviper.com.
Other Links:
www.recordplantremote.com
NOTE: LightViper™ is a registered trademark of FiberPlex,
Inc. Other company and product names may be trademarks of the respective
companies with which they are associated.
—For more information, contact Ron Neilson, ClyneMedia,
Inc.: Tel: 615.500.3261;
Email: ron@clynemedia.com; Web:
www.clynemedia.com