PR AGENCY CONTACT:
Robert Clyne
Neilson/Clyne, Inc.
Tel: 615.662.1616
|
COMPANY PRESS CONTACT:
Leslie Buttonow
Korg USA Inc.
Tel: 631.390.6500 |
FOR IMMEDIATE RELEASE
KORG ANNOUNCES NEXT-GENERATION
KP3 KAOSS PAD
— Latest version of KAOSS Pad offers unprecedented creative possibilities
—
MELVILLE, NY, September 15, 2006 — Korg announces the KP3
Dynamic Effect/Sampler, the latest addition to the KAOSS series. The
KP3 provides even more creative power for DJs, musicians and producers
while retaining the intuitive, expressive and user-friendly KAOSS interface.
New effects, synth sounds, enhanced sampling, computer connectivity
and SD data storage are complemented by detailed visual feedback from
the new pad lighting system.
Like all KAOSS Pads, the KP3 responds to the touch of
a finger on its X/Y pad, for intuitive control over multiple parameters
in real time. The Hold button locks the finger’s current position
on the pad and Pad Motion memorizes and repeats any gesture played on
the pad. The new pad lighting system — 64 individual LEDs in an
eight by eight grid — can display the Pad Motion pattern as it
plays, as well as many other visual cues.
The KP3 features 128 great-sounding effects programs containing
new effects such as grain shifter, decimator, a vintage analog-style
filter and expanded EQ. There are also drum grooves and unique vocoder
and synth sounds derived from the Korg RADIAS. To prevent abrupt changes
when transitioning from one effect to another, the new FX Release function
adds an adjustable delay tail when the user’s finger is removed
from the X/Y pad. The delay is automatically set to the current tempo
and the depth of the FX release can be set and saved with each program.
The KP3 can sample from a wide variety of sources via
mic and line inputs. Four Sample Bank buttons (100 total banks) allow
the user to create, play and save looped and one-shot samples on the
fly. All samples are recorded using high resolution 24-bit converters
and stored in 16-bit/48 kHz format. Samples can be saved on a Secure
Digital (SD) card or transferred to computer via USB.
The KP3 thinks in musical terms, allowing the sample length
to be defined in terms of beats, not seconds. When sampling is finished,
the sample will immediately start playing in sync with the sample source.
As the sample plays, its start time can be fine-tuned further.
Time-Slicing divides a sample into separate parts. The
eight Program Memory buttons can turn individual slices on/off in real
time, resulting in new rhythmic patterns. The KP3 can also sample its
effects and even resample the entire output for powerful, multi-element
sounds.
All tempo-related functions (sampling, effects) are accurate
to .1 (one-tenth) of a BPM for more precise matching to external devices.
KP3 features an improved auto-BPM detection from the audio input, Tap-Tempo
entry, as well as a manual tempo setting. The KP3 can also send and
receive tempo information via MIDI clock.
The KP3 is also a MIDI controller, transmitting three
controller signals from its touchpad, along with data from the slider.
The Sample Bank buttons send and receive MIDI note messages as well
as program change commands and clock information.
USB computer connectivity allows for convenient data transfer
to a computer. The included editor/librarian software also allows AIFF
and WAV audio files to be loaded into the KP3 and includes sample-rate
pitch correction.
The Korg KP3 is available November 2006 at a U.S. MSRP
of $460.
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—For more information, contact Korg, 316 South Service Rd, Melville,
NY 11747.
Tel: (631) 390-6500; Fax: (631) 390-6501; Web: www.korg.com.