Media
Contact: Robert Clyne
Clyne Media, Inc.
Robert@clynemedia.com
Tel: (615) 662-1616
Fax: (615) 662-1636
FOR IMMEDIATE RELEASE
EAW Now Shipping MicroWedge Series MW15 and
MW12 Stage Monitors
MicroWedge15 Joins Highly Successful MicroWedge12 in MicroWedge
Series
EAW MicroWedge Series Monitors Feature Enhanced Fidelity, Power
Handling, Reliability and More
Whitinsville, MA, USA – January 21, 2009
– EAW, a leader in audio system solutions, is now shipping the
MicroWedge15 Stage Monitor (MW15), the newest addition to the MicroWedge
Series of products. The 15-inch MicroWedge15, a direct result of extensive
research and field evaluation with FOH/monitor engineers, leading touring
companies and audio consultants, joins the 12-inch MicroWedge12 (MW12,
a number of which are also shipping) as the most recent product in the
MicroWedge line.
The MicroWedge15 is the second model of the EAW MicroWedge
Series to be released since an agreement was reached with MicroWedge
developer Rat Sound Systems Inc. in late 2007, stipulating that EAW
would serve as the exclusive manufacturer and distributor of MicroWedge
products. Additional EAW-exclusive MicroWedge Series products will be
introduced in the near future.
Designed to complement the performance capabilities of
today’s most sophisticated live sound systems, the MW15 provides
dramatically enhanced fidelity, power handling and reliability in comparison
to earlier MicroWedge models, attained with an optimum blend of upgraded
transducers and EAW’s hallmark crossover design techniques. Mechanical
durability has been advanced as well, joined by enhancements in enclosure
fabrication, ergonomics and interconnection, along with dramatic weight
reduction. The result is a stage monitor that provides accurate audio
reproduction with the ability to project at higher sound pressure levels
— perfect for acts who are performing in larger venues or arenas.
The MW15 features a coaxial driver arrangement that pairs
a 15-inch woofer with a 3-inch (diaphragm) HF compression driver on
a horn, delivering full yet tightly controlled 90-degree horizontal
dispersion. This design path guarantees that all frequencies emanate
from the exact same point, eliminating crossover region problems and
time/phase irregularities, and optimizing coherency. The coaxial approach
also contributes to a very compact, low-profile footprint that stays
out of sight-and camera-lines, but attained without sacrificing fidelity
and high output levels.
The MW15 is processor-enhanced (rather than processor-dependant)
for true “plug and play” operation, eliminating the need
to purchase additional processing. In addition, it offers switchable
passive or active modes.
The physical profile is visually appealing while serving
another valuable function by focusing upward-firing coverage to the
area most comfortable for performers – close to the wedge. This
is particularly a significant advantage when stage space is in short
supply. And, the curved front affords more flexibility in visually placing
wedges that are optimally focused.
A large port on the front of the cabinet serves to enhance
LF response in coupling with the floor (and cleans up the cable configuration,
so that artists do not fall over cluttered cords in the middle of a
performance), and in another upgrade, this port also now houses both
the carrying handle and the passive/active mode switch. The resulting
look is very clean, with the switch easily accessible (but protected
from accidental changes) and the handle location fostering very balanced,
single-hand carrying, enhanced by reduced enclosure weight.
Further, the port houses dual input connectors, keeping
them concealed and protected while also facilitating an ideal way of
making sure cables run very close to the floor where they can easily
be secured in place with tape. The connector location also allows wedges
to be placed as close together as desired, and again, there’s
no cabling between wedges that can trip the performers.
Additional cable can be stored in the port without impacting
LF performance, and it is also sized to accept a leg of a tripod microphone
stand, providing added stability and security.
The trapezoidal enclosure sides allow wedges to be placed
very close together in “arc” configurations, while the addition
of rubber feet to the bottom of the enclosure reduces abrasion. New
integral rigging hardware – also mounted on the enclosure bottom
– means easy flying when desired.
Finally, MicroWedge Series MW15 and MW12 are very capable
of withstanding the rigors of club and touring life. The Baltic birch
cabinets are protected with EAW’s proprietary RoadCoat™
finish that’s highly resistant to dings and scratches, and the
rugged steel grille keeps its distinctive shape, even when stood upon
by performers. All transducer components are highly liquid tolerant
– virtually impervious to spilled drinks as well as natural elements
like rain.
The EAW MicroWedge Series MicroWedge12 and MicroWedge15
are currently available. For more information, please visit www.eaw.com.
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About EAW
Founded in 1978 and celebrating its 30th Anniversary, Eastern Acoustic
Works (EAW) is a global leader in producing high-performance professional
audio equipment trusted by the most discerning professionals for every
possible sound reinforcement application.
EAW is a registered trademark of LOUD Technologies
Inc. in the United States and other countries. All other trademarks
are the property of their respective owners.
EAW • One Main Street • Whitinsville, MA 01588 •
USA
Phone: (508) 234-6158 • Fax: (508) 234-8251 • Internet:
www.eaw.com